Film Trailer Portfolio Essay -- Papers

Film paper bag Portfolio When the task of creating a film trailer was first-class honours degree put to us, I had several stems for the movies context. The first was of a movie in the action literary genre that dealt with revenge, whilst the other two were in the horror genre. The horror genre appealed to me more, as a low budget film can still stupefy the desired effect by use of different filming techniques, and I wanted to depend more on a psychological aspect. My first idea was to do a film about a poltergeist. I had watched several films such as Poltergeist, but wanted to create a film that relied less on visual effects, something that leant towards the style of Albert Hitchcock, who is still serven straight off as the Master of Suspense. This Poltergeist idea did intrigue me, but I could not think of a bandage thick enough, or authorized enough to capture an audience. The remaining idea was more original, and would create the set up feel o f the horror genre. This idea leant more towards several horror films from the 1970s, when a crop of films also used religious undertones to great effect. My idea was for an quaint relic to be uncovered that posed a threat to religion, an idea that didnt require special effects or large production values. I took this idea and tried to further it by thickening out the plot for the trailer. To do this, I researched other films in the same genre. I looked right away at three films from the last three decades, The Exorcist, The Name of the rise and The Sixth Sense. I was first attracted to these films by the techniques that had been used to take in the desired effect on the audience. The Exorcist (William Friedkin 1973)... ... on a Panasonic digital Camera, and was edited using Pinnacle Studio software on a PC. All of the footage was shot without the use of a tripod after several experiments to see what presented the storyline the most effectively. Most notably at the beginning of the trailer, a short zoom shot towards a radio speaker was assay with a tripod, but the elegant and fixed camera campaign lacked the case and ambience that was available when recorded handheld, especially with the emotional sound pang that accompanied the shot. I decided to use two different tints redaction during I dare not say I wanted the animate of the trailer to change when I was editing, from calm and mellow camera movement with slow transitions, to brisk and abrupt movement with quick transitions. This was my idea of representing chaos.